The building has been the backdrop to larger community events such as the annual Healthcare Foundation of La Porte’s Holiday at the Pops Symphony Concert, the La Porte High School Prom and the La Pour Brew Fest. Since its dedication in 1930, the Civic Auditorium has touched thousands of lives. Given as a gift to the city in 1930, the Civic Auditorium offers a rich history of laughter, tears, and celebrations. Standing tall within the Maple City of La Porte, Indiana, the Civic Auditorium is a monument to a community.
THE ALLMAN BROTHERS BAND MIDNIGHT RIDER HOW TO
They know how to entertain and give the audience the full Allman Brothers Band experience. The band has worked with everyone from Billy Preston to Willie Nelson and Ronny Montrose to Buddy Rich and Curtis Mayfield. Soaring Double Guitars, Thundering Percussion Section and the Soulful Vocals. The music is presented the way the Allman Brothers would have wanted it done. Music that has inspired generations of fans through its boldness and creativity. It is not about gimmicks and costumes it is about the music. Midnight Rider is a tribute to the remarkable talent and innovative abilities of the Allman Brothers Band.
It has been cut by bluegrassers like Krauss and Eddie Adcock, “Godmother of Punk” Patti Smith, and Canadian rockers Theory of a Deadman, and has been recorded at least three different times by Willie Nelson. Some performers (e.g., Alison Krauss and Union Station) have taken major liberties with the key, changes and tempo without losing the flavor or intent of the piece. The original guitar tunings by Duane Allman and Dickey Betts were probably standard, but some artists, including Gregg Allman himself, have been known to drop one or both E strings to D.Īnother notable thing about “Midnight Rider” is that the song is so open to stylistic interpretation. With the signature lick on the open A and D strings that is a cousin to licks used by Neil Young, Journey and others, “Midnight Rider,” in the key of D, utilizes a IVmi7 chord (G mi7) and a VII chord (C) for its chorus, and the solo is played over a VII chord and a VIb chord (Bb). But unlike the material of those artists, Allman’s own writing has seldom revolved around such progressions, and “Midnight Rider” is an example of that. Many of the performers who influenced Allman’s artistic growth were straight blues writers whose songs almost exclusively used I-IV-V progressions. Who is this “Midnight Rider?” What/who is he running from? Does he ever get caught, or does he elude his trackers to live to a ripe old age? Where some songs might be considered incomplete if these details were missing, “Midnight Rider” is a well-written classic about a faceless character that invites the listener in to make his or her own conclusions. With “Midnight Rider,” Allman threw some paint on a canvas and handed brushes to the listeners, inviting them to use their own colors, their own imaginations, to complete the picture.
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